2026-03-13T18:10:30Z https://hbg.repo.nii.ac.jp/oai

oai:hbg.repo.nii.ac.jp:00002885 2023-10-04T07:19:43Z 267:567:607

ドメニコ・スカルラッティの鍵盤ソナタに関する資料の比較研究 : K.43からK.96までの筆写譜を中心に Manuscript Copies of Keyboard Sonatas of Domenico Scarlatti : Mainly on manuscripts of K.43 to K.96 原田, 宏司 Harada, Hiroshi ドメニコ・スカルラッティ Domenico Scarlatti 鍵盤ソナタ Keyboard sonatas 18世紀の筆写譜 Manuscripts of 18th century 比較研究 Comparative study application/pdf In a previous study I examined and compared textual details of K.1 to K.147 as found in manuscripts and printed scores, and　then ordered the source material to arrive at a preliminary genealogy of the textual tradition. This time I have, however, placed greater emphasis on manuscripts, the Venice, the Parma, the Münster, the Coimbra, the London31553, the Cambridge13, of K43 to K96. As regards methodology, I first checked in detail the dissimilarities in six manuscripts, and looking at the way originated, I was able to detect three different levels of discrepancy. The first one comprises mistakes inadvertently made by the copyists and reflects small differences in pitch and rhythm in the scores. The second level deals with variants in time signatures, tone symbols, musical terminology and differences of content in some particular sections. They obviously reveal a different frame of mind in the composer and make us postulate original works that are at variance with one another. The third level is concerned with variants that must be considered secondary in character, such as supplementary notation, ornamental notes, pauses, etc., something that portrays a subjective side in the notations of the copyist, reflecting his musical upbringing and mannerisms. departmental bulletin paper 広島文化学園大学学芸学部 2011-03-25 VoR application/pdf 広島文化学園大学学芸学部紀要 1 1 14 AA12532487 21858837 https://hbg.repo.nii.ac.jp/record/2885/files/g01-01.pdf https://doi.org/10.60171/00002878 https://hbg.repo.nii.ac.jp/records/2885 jpn