{"created":"2023-07-25T10:30:33.415280+00:00","id":2936,"links":{},"metadata":{"_buckets":{"deposit":"a1aa79ff-c476-4dcb-a6a7-2b07041a2512"},"_deposit":{"created_by":4,"id":"2936","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2936"},"status":"published"},"_oai":{"id":"oai:hbg.repo.nii.ac.jp:00002936","sets":["267:581:614"]},"author_link":["12748"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2015-03-10","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"46","bibliographicPageStart":"27","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"子ども学論集"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　作曲家が自らの音楽的イメージやメッセージを楽曲として構成する場合、その構成物は形式や様式を生み出す。最近の文部科学省による学習指導要領の改訂に伴い、小学校音楽科に新たに登場した「音楽づくり」という領域は、音を意味ある文脈に構成するプロセスを重視するという観点から、特に注目される。なかでも音を音楽へと構成する要素や仕組みに気づかせたり、多様な構成の面白さに触れさせる活動は、子どもの主体性や創造性を啓発するという面からも、これまで見られなかった新しいアクティヴな取り組みである。表現手段としての２部構成や3 部構成の音楽史上の成立は、主に西洋バロック時代から古典派の時代の所産である。とりわけドメニコ・スカルラッティの鍵盤作品は、同時代のC.Ph.E. バッハらと並んで、その成立過程を知る重要な事例である。この小論では、ドメニコ・スカルラッティの代表的な鍵盤曲集である『チェンバロのための練習曲集Essercizi per Gravicembalo』に焦点を合わせ、彼の創作意図の究明を目的としたい。","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.60171/00002929","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"広島文化学園大学大学院教育学研究科"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"21878145","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"原田, 宏司","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"12748","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-05-29"}],"displaytype":"detail","filename":"kr02-03.pdf","filesize":[{"value":"865.9 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kr02-03.pdf","objectType":"fulltext","url":"https://hbg.repo.nii.ac.jp/record/2936/files/kr02-03.pdf"},"version_id":"f5fda1fe-f7e9-49ae-ae83-52bc20e7d240"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ドメニコ・スカルラッティ","subitem_subject_scheme":"Other"},{"subitem_subject":"『チェンバロのための練習曲集』","subitem_subject_scheme":"Other"},{"subitem_subject":"綜合的様式分析","subitem_subject_scheme":"Other"},{"subitem_subject":"構成概念","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ドメニコ・スカルラッティの“Essercizi per Gravicembalo”における構成概念 : 綜合的様式分析の視点から","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ドメニコ・スカルラッティの“Essercizi per Gravicembalo”における構成概念 : 綜合的様式分析の視点から","subitem_title_language":"ja"}]},"item_type_id":"10002","owner":"4","path":["614"],"pubdate":{"attribute_name":"公開日","attribute_value":"2023-03-15"},"publish_date":"2023-03-15","publish_status":"0","recid":"2936","relation_version_is_last":true,"title":["ドメニコ・スカルラッティの“Essercizi per Gravicembalo”における構成概念 : 綜合的様式分析の視点から"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2023-09-11T07:15:52.627960+00:00"}