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体の再構築による管楽器演奏技術向上法 ―超短波や可聴音波振動器の即効性を活用して―
https://doi.org/10.60171/00002833
https://doi.org/10.60171/000028338233e6f1-87b8-4f40-a6e2-b1359dd1a23f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
g08-006.pdf (2.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-15 | |||||||||
| タイトル | ||||||||||
| タイトル | 体の再構築による管楽器演奏技術向上法 ―超短波や可聴音波振動器の即効性を活用して― | |||||||||
| タイトル | ||||||||||
| タイトル | Ways to improve wind instrument performance techniques by rebuilding the body -Utilizing the immediate effects of ultra-short wave and audible sound wave vibrators- | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 重力 gravity | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 抗重力筋 antigravity muscles | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 上虚下実 upper relax lower solid | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 骨盤底筋群 pelvic floor lines | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 筋膜リリース fascia release | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.60171/00002833 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
上田, 啓二
× 上田, 啓二
× Ueda, Keiji
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Rebuilding the body is not only a way to improve wind instrument performance, but also a means to combat the leveling-off of development. Ultimately, we believe that rebuilding the body makes it possible for an individual to perform throughout his or her entire life. Fundamentally, this means correcting posture to make the body able to withstand gravity, and loosening tight muscles. There are a variety of causes of daily habits, including fascia slippage, and the brain’s mistaken perception of a line of balance, and the lack of development of antigravity muscles due to the desire to feel comfortable. Closure of the glottis, which is the exit for air when playing a wind instrument; securing the necessary capacity of the thorax, which facilitates raising and lowering of the diaphragm; and the movements of the respiratory muscles that force out the air, are factors that determine the quality of a wind instrument performance. While we also recommend the use of medical instruments such as ultra-short wave and audible sound wave vibrators, here we consider what an individual person alone can do. We contend that building a body that functions so as to make it easier to acquire performing techniques is akin to improving ability. |
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| 書誌情報 |
広島文化学園大学学芸学部紀要 巻 8, p. 59-69, 発行日 2018-02-26 |
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| 出版者 | ||||||||||
| 出版者 | 広島文化学園大学学芸学部 | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 21858837 | |||||||||
| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA12532487 | |||||||||
| フォーマット | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | application/pdf | |||||||||
| 著者版フラグ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
